How did you get into metalsmithing? I have always loved silver and turquoise and wanted to do something that included those in my creative outlet. My early childhood, I grew up in Arizona so that had a lot of influence on my interest in the Southwestern styles. My Dad had a very close friend who had the largest Turquoise belt buckle I had ever seen. I thought it was so beautiful and special, I will never forget it. I also credit my start into silversmithing to my Mom! She passed down her turquoise ring from the 1970’s to me when I was sixteen. I still wear the ring almost daily. We spent our summers in the Northwoods of Wisconsin on a lake (my favorite place) and every year on one of our “town” visits, we would visit a silver shop and would get to pick something out. That is why I named my business Northwoods Silver. My path to metalsmithing was a bit untraditional, but I wouldn’t have it any other way. Just 8 months ago, I took my first class at Harold Studio and have take...

How did you get into metalsmithing? I’ve been into collecting jewelry since high school, when I inherited a bit of my grandmas native turquoise jewelry collection. Then after collecting and searching for stuff that I like or that fits for years, I just decided I wanted to try to make things that I couldn’t find and things that fit me. I have a couple good friends who are also into metalsmithing, lapidary and collecting that also really helped me get into silversmithing. I took the 8 week jewelry 1 class at the Harold Studio and really took off from there! What inspires you? Everything! I live for 40s/50s Fred Harvey era silver. Turquoise! The desert! Stones! Stones, probably more than anything, they really make every piece so special. What is your design process? I don’t know if I really have a process really. I doodle designs a lot, but my drawing is terrible. I usually just lay out some stones and it really just comes to me from there. Ill start moving ele...

How did you get into metalsmithing? Years ago, my grandma gave me her wedding ring and told me that I could reset the stones, if I wanted to do so. I felt that the best way to honor her, would be to learn how to reset the stones myself. Ironically, I no longer want to reset the stones. I cherish the memories that I have of her wearing that ring. I want to preserve the ring and the memories. What inspires you? I'm very inspired by other cultures. Specifically, Native American and Hispanic cultures. I love the story, the spirit, the richness and the detail. What is your design process?  I tend to be a more methodical person, so, I'm not one to "wing it".  I almost always have a plan before I start working on a piece. Usually, I end up deviating or modifying somewhere along the way. That's the part of the process that I have a tricky relationship with. I don't like uncertainty, although, uncertainty can be our best teacher. What is you...

You were asked to use your jewelry metalsmith skills to make something for someone else’s product line.   It’s exciting!   Such opportunities are a good way to make some regular money for a period of time, get your name out there in a new way and work in collaboration with designers, or entrepreneurs. However, it’s your first offer of this kind, it can also be a bit overwhelming – especially if you haven’t created anything like the particular design requested of you. You want to be fair to your client, and yourself in regards to your time and the cost of materials. What does that look like? A contract agreement of some kind?  Here are some essential details Harold Studio recommends considering and including in a contract before you agree to take on the work. 1.      Arrange for a beta production period where you are paid to design and create from their specs a sample of prototypes for approval. This way, you know how long a certain piece ta...