How did you get into metalsmithing? I have always loved silver and turquoise and wanted to do something that included those in my creative outlet. My early childhood, I grew up in Arizona so that had a lot of influence on my interest in the Southwestern styles. My Dad had a very close friend who had the largest Turquoise belt buckle I had ever seen. I thought it was so beautiful and special, I will never forget it. I also credit my start into silversmithing to my Mom! She passed down her turquoise ring from the 1970’s to me when I was sixteen. I still wear the ring almost daily. We spent our summers in the Northwoods of Wisconsin on a lake (my favorite place) and every year on one of our “town” visits, we would visit a silver shop and would get to pick something out. That is why I named my business Northwoods Silver. My path to metalsmithing was a bit untraditional, but I wouldn’t have it any other way. Just 8 months ago, I took my first class at Harold Studio and have take...

How did you get into metalsmithing? I’ve been into collecting jewelry since high school, when I inherited a bit of my grandmas native turquoise jewelry collection. Then after collecting and searching for stuff that I like or that fits for years, I just decided I wanted to try to make things that I couldn’t find and things that fit me. I have a couple good friends who are also into metalsmithing, lapidary and collecting that also really helped me get into silversmithing. I took the 8 week jewelry 1 class at the Harold Studio and really took off from there! What inspires you? Everything! I live for 40s/50s Fred Harvey era silver. Turquoise! The desert! Stones! Stones, probably more than anything, they really make every piece so special. What is your design process? I don’t know if I really have a process really. I doodle designs a lot, but my drawing is terrible. I usually just lay out some stones and it really just comes to me from there. Ill start moving ele...

How did you get into metalsmithing? Years ago, my grandma gave me her wedding ring and told me that I could reset the stones, if I wanted to do so. I felt that the best way to honor her, would be to learn how to reset the stones myself. Ironically, I no longer want to reset the stones. I cherish the memories that I have of her wearing that ring. I want to preserve the ring and the memories. What inspires you? I'm very inspired by other cultures. Specifically, Native American and Hispanic cultures. I love the story, the spirit, the richness and the detail. What is your design process?  I tend to be a more methodical person, so, I'm not one to "wing it".  I almost always have a plan before I start working on a piece. Usually, I end up deviating or modifying somewhere along the way. That's the part of the process that I have a tricky relationship with. I don't like uncertainty, although, uncertainty can be our best teacher. What is you...

How did you get into metalsmithing? "I developed an obsession with turquoise in 2018. It literally developed overnight. Until then, I used to think it was an "old lady stone", guess I'm an old lady now ;). Anyhow, I bought a few pieces of old Navajo jewelry and the workmanship was amazing, so I wanted to know how it was all put together. I looked up silversmithing classes and came up on Harold studio and the rest is history (not that long of a history I guess).   What inspires you? I find inspiration in different places...antiques, old metal structures and even stones themselves (sometimes I "sit" on them until it "comes" to me what they should be). My love for vintage and rustic shows in textures and designs of my jewelry. What is your design process? Design process...as much as I overplan in all other aspects of my life, jewelry design just comes to me. I start working on something and it develops into...

How did you get into metalsmithing? I had an uncle who made a living as a watchmaker. He also had an interest in stones and made some jewelry. When I was in elementary school he would take me along to hunt for rubies, and on one occasion he bought me a handcrafted Sterling dogwood flower ring. I thought this was so amazing! Later on I became aware of art shows, and grasped the fact that I could actually make a living designing and making jewelry. What inspires you? I would have to say beauty. I relate to the fluid nature of metal, and am totally in love with the drama of fire. I find clarity in looking for design, and it is usually a subtle, very unplanned idea that starts my process. c What is your design process? Very simply, I make it up as I go along! What is your favorite tool? I like working with my foredom ..... the finishing process I find rewarding as the piece is becoming a whole. What is on your bench right now?  ...

How did you get into metalsmithing? I have always enjoyed learning and doing anything art and crafts related. I also admired all the pretty silver and turquoise jewelry out there, but had a hard time finding rings or cuffs that fit. I remember thinking maybe someday it would be cool to be able to make it myself. Two years ago, I was looking for a creative outlet to balance out my life and randomly searched the internets for a local metal-smithing class. I found Harold Studio, took the awesome Jewelry 1 class, and have been hooked ever since.   What inspires you? Lots of things - a lot of the times just looking at the stone itself sparks some idea for what it could become or what style would fit it best. I had lots of fun looking to nature and the National Parks for inspiration for several pieces. Sometimes running low on supplies (rarely happens right...) generates ideas. It ends up being a semi-fun challenge to see what I can try to create using what I have left un...

How did you get into metalsmithing? I was searching for an alternative creative outlet removed from the food world that I have spent my working career in.   I needed a new medium that still let me use my hands and tell a story, but without being edible. ( ring ) What inspires you? The natural world inspires me the most.  I look to the scenery around me for form and functionality.  Themes are important to me.  I like to set an idea and then open up the drawing books to let the creative juices flow.  I research botanical illustrations, animal anatomy, and maps to help ground my wandering mind. ( earrings ) What is your design process? Draw, draw, draw.  I try to draw in my books daily, even if I feel that is not consistent with what I’m working with at the moment.  It helps me keep a log of what I was feeling at the moment.  I also make prototypes for myself that I can where out and see the response I receive.  The responses help me know if the piece is liked by the collec...

We have some great classes scheduled to start in the next couple weeks!  Click on the class to register or for more information. Also, the studio will be closed this Wednesday, January 21 and will be open on Thursday from 12-3pm. Spinner Ring - Saturday January 17th 1-4pm Stone Setting - Tuesday 6-9pm - Begins January 20th Jewelry 1 - Friday's 12-3pm - Begins January 23rd Cloisonne - Saturday and Sunday January 24 and 25,  9-5pm ...

Some of the great jewelry made at Harold Studio this week. Textured Silver Spinner Rings Riveted, pierced pendant in copper and brass. Copper and brass riveted, textured heart pendant. Enameled silver earrings. Our table at the Grand Ave. Art Festival. Lynn, Rebekah, and Valerie working our table. Silver tube set pendant. Silver bubble ring. Vintage button earrings. Silver ball ring. Silver Ball ring. Brass and copper necklace made in the treasure box class. Silver tube set cuff. Silly Cody! Copper box and bead settings. ...